01 — Recent Work
No single reel — each piece below started from a clear image in my head and was built backwards from there. A few notes on how they came together.
01 · AI CREATIVE · 2026
Started with one mental image: a classical statue, mid-sculpt, with a power tool above it. Built the whole thing around a single continuous camera move — pulling out from the torso, then back in on the broken head. Mixed real stone textures with AI-generated elements so the metaphor stayed clean. Minimal cuts. The camera does the work.
02 · AI CINEMATIC SHORT · 2026
The idea came before anything else: one still figure, a world rushing around them. I sourced the central footage first, then layered motion-blurred crowd elements on top in post. The challenge was keeping the figure razor-sharp while everything else dissolved. Slow camera push. No transitions. The stillness is the effect.
03 · EDIT-DRIVEN FILM · 2026
Built entirely in the edit. I collected dozens of reference clips — skeptical reactions on one side, focused legends on the other — then matched them frame-for-frame in rhythm and framing. The whole video lives or dies on the cut timing. I locked the pace first, then swapped clips in until the contrast hit hard enough.
04 · MIXED MEDIA · 2026
The hardest one to assemble. Pulled together modern footage, classical paintings, AI-generated portraits, and sketch overlays — then forced them all into the same color grade so it felt like one piece. The work was more about making wildly different sources speak the same visual language.
02 — About
I'm Anastasia Bokaryova. Videographer. Visual thinker.
Every project I take on starts the same way: with a clear picture in my head. Not a brief. Not a checklist. An image.
From there, I work backwards. I build mood boards, source references, pull footage, and generate assets with AI when the vision calls for something that doesn't exist yet. Real or synthetic — it's all the same to me. The vision decides which tool I reach for.
What happens between seeing an image in my head and watching it appear on a screen is the reason I love it. That gap is where everything interesting lives — the problem-solving, the experimenting, the small decisions that no one else will ever notice but that make the whole thing land. I chase that match between what I imagined and what I made — and when it lines up, there's nothing else I'd rather be doing.
If you have an idea you can see clearly — or one you can't quite see yet — I can help you build it.
03 — Services
04 — CONTACT
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